Location: Location not yet available
As Above, So Within draws inspiration from Attar's 12th-century Persian poem The Conference of the Birds, in which the birds journey in search of the Simurgh, a mythical Persian bird, only to discover that what they sought was already manifest within themselves. The Mandelbulb was chosen as a fractal form that repeats across scales, suggesting that the same underlying order appears in the cosmos, nature and the self. Through recursive geometry and shifting light, the sculpture evokes a contemplative atmosphere resonant with Persian architecture, where repetition and illumination draw the mind inward. As Above, So Within proposes that the meaning we seek in the universe may also be found within ourselves.